Joseph Haydn spent his school years in Vienna. Music historian Ádám Bősze begins his series launch programme speaking about the early 18th century educational system, the quirks of music training, the rigour and student pranks. Language of performance: Hungarian.
Joseph HAYDN: The Creation – oratorio, Hob. XXI:2 Performance without intermission
Joseph HAYDN: Sonata No. 59 in E flat major, Hob. XVI:49 Sonata No. 60 in C major, Hob. XVI:50 — Sonata No. 61 in D major, Hob. XVI:51 Andante con variazioni in F minor, Hob. XVII:6 Sonata No. 62 in E flat major, Hob. XVI:52
J. S. BACH: Sonata for flute and basso continuo in E minor, BWV 1034 C. Ph. E. BACH: Sonata for flute and basso continuo in G major (»Hamburger Sonata«), Wq 133 / H 564 J. S. BACH: Prelude in E-flat-major, BWV 853 J. S. BACH: (C. Ph. E. BACH?): Sonata for harpsichord and flute in […]
Michael HAYDN: Symphony in G major, Perger 16. (with Introduction by W.A Mozart K. 444) Joseph HAYDN: Concerto for harpsichord & violin in F Hob XVII:6 — Michael HAYDN: Concerto for violin in G major Joseph HAYDN: Symphony in E minor No. 44
“Rumpus – The magic of early music” An excursion for families around the House of Music Hungary, a journey into the world of early music through a wide variety of games and occupations Haydneum workshops: Handicrafts with master violinmaker Szabolcs Bárdi Start times: 10.30 am, 11.10 am, 11.50 am Making old wooden games with applied […]
Johann Sebastian BACH: Cello Suite No. 1 in G major, BWV 1007 (transcription of Thomas Dunford) Lute Suite in G minor, BWV 995 (transcription from Cello Suite No. 5 by JS Bach) Chaconne in D minor, from the Partita No. 2, BWV 1004 (transcription of Thomas Dunford)
Joseph Haydn: Piano Concerto in D major, Hob. XVIII:11 (extraits) Anna von Schaden / Antonio Rosetti: Piano Concerto in B-flat major, C4 (extraits) — Wolfgang Amadeus Mozart: Piano Concerto in E-flat major (“Jeunehomme”), K. 271 A joint event of the Haydneum and the Hungarian House of Music.
Music historian Ádám Bősze talks about putting on opera and the development of the institution of the concert in Vienna. During Joseph Haydn’s long life, the music enthusiast of the day experienced radical change. The impacts of these processes can still be felt today. Language of performance: Hungarian.
R. SCHUMANN: Arabesque, Op. 18 C. SCHUMANN: Scherzo, No. 2, Op. 14 Notturno, Op. 6, No. 2 Mazurka, Op. 6, No. 3 Caprice à la bolero, Op. 5, No. 2 F. MENDENSSOHN: Fantasie (Sonate écossaise), Op. 28 — S. de MASARNAU: Trois airs caractéristiques de danses nationales espagnoles, Op. 17 F. SCHUBERT: Ungarische Melodie, D […]
Administrative burdens, administration, money management. These are just the main headers of the performance. In order that we can imagine the everyday life of Joseph Haydn, we really do have to learn to what extent the spectre of bureaucracy terrified the composer. Language of performance: Hungarian.
Joseph Haydn’s religious devotion is well known. He started his works – almost without exception – in the name of God and ended them with resounding thanks to the Lord. But what was the life of the pious person like in 18th century Vienna, how far did the practice of faith influence their life, how […]
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