AUTHENTIC QUARTET (on period instruments) Kalló Zsolt, Bozzai Balázs, Rác Gábor, Vályi Csilla Joseph HAYDN (1732-1809): Quartet in D minor Op. 42 Joseph HAYDN (1732-1809): Quartet in B minor Op. 33 No. 1 Joseph WÖLFL (1773-1812): Quartet in C minor Op. 4 No. 3
QUARTETTO SPERANZA G. Horváth László, Szabó Tamás, Fajd Gergő, Háry Péter Joseph HAYDN (1732-1809): Quartet in C minor Op. 17 No. 4 Franz SCHUBERT (1797-1828): Quartet in C major No. 4 D. 46 Joseph HAYDN (1732-1809): Quartet in G major Op. 77 No. 1
AUTHENTIC QUARTET (on period instruments) Kalló Zsolt, Bozzai Balázs, Rác Gábor, Vályi Csilla Joseph HAYDN (1732-1809): Quartet in C major “Bird” Op. 33 No. 3 Joseph HAYDN (1732-1809): Quartet in D major Op. 20 No. 4 Franz KROMMER (1759-1831): Quartet in C major Op. 7 No. 1
KELLER QUARTET Keller András, Környei Zsófia, Homoky Gábor, Fenyő László Joseph HAYDN (1732-1809): Quartet in D minor „Quinten” Op. 76 No. 2 Antonín DVOŘÁK (1841-1904): Quartet in F major „American” Op. 96 No. 12 Joseph HAYDN (1732-1809): Quartet in D major Op. 76 No. 5
KELLER QUARTET Keller András, Környei Zsófia, Homoky Gábor, Fenyő László Johann Sebastian BACH (1685-1750): Die Kunst der Fuge BWV 1080 – Contrapunctus No. 1 – 2 – 4 – 6 – 9 Joseph HAYDN (1732-1809): The Seven Last Words of Christ Op. 51
KODÁLY QUARTET Falvay Attila, Bangó Ferenc, Tuska Zoltán, Éder György Joseph HAYDN (1732-1809): Quartet in G major Op. 54 No. 1 Wolfgang Amadeus MOZART: Quartet in C major „Dissonanzen” K.465 Joseph HAYDN (1732-1809): Quartet in D major Op. 76 No. 5
DOHNÁNYI QUARTET Dóczi Áron, Pintér Dávid, Tornyai Péter, Mód Orsolya Joseph HAYDN (1732-1809): Quartet in G major Op. 77 No. 1 Johannes BRAHMS (1833-1897): Quartet in A minor Op. 51 No. 2 Joseph HAYDN (1732-1809): Quartet in G major Op. 76 No. 1
KODÁLY QUARTET Falvay Attila, Bangó Ferenc, Tuska Zoltán, Éder György Joseph HAYDN (1732-1809): Quartet in F minor Op. 20 No. 5 Ludwig van BEETHOVEN (1770-1827): Quartet in G major Op. 18 No. 2 Joseph HAYDN (1732-1809): Quartet in G minor “Rider” Op. 74 No. 3
original sound experience with the fusion of two orchestras Antonio SALIERI: Les Horaces, 1786 – Ouverture Joseph HAYDN: Symphony in D major „The clock” No. 101 Hob. I:101 Luigi CHERUBINI: Démophon, 1788 – Ouverture Joseph HAYDN: Symphony in G major „Military” No. 100 Hob. I:100
Michael HAYDN: Missa Quadragesimalis MH 552 (in a minor) Feria Sexta (F-dúr) Missa Tempore Quadragesimae MH 553 (in d minor) Missa pro Quadragesima MH 551 (in F major) Joseph HAYDN: Non nobis Domine Hob. XXIIIa:1 (in d minor) Continuo: Bálint Maróth – cello György Janzsó – doublebass Augustin Szokos – organ conducted by: György Vashegyi
Musica Aeterna (Bratislava) concert leader and artistic director Peter Zajíček Anton ZIMMERMANN: Notturno in F major, AZ III/5:F1 Joseph HAYDN: Scherzando in G major, Hob. II:36 Anton ZIMMERMANN: Divertimento in F major, AZ III/1:F2 Anton ZIMMERMANN: Cassation in G major, AZ III/2:G1
Zoltán Megyesi (tenor) Petra Somlai (fortepiano) L. van BEETHOVEN: Piano Sonata in C-sharp minor “Moonlight” op. 27 J. HAYDN: English Canzonettas II. L. van BEETHOVEN: Piano Sonata in C minor “Pathétique” op. 13 — J. HAYDN: Piano Sonata in D major Hob XVI:42 L. van BEETHOVEN: “An die ferne Geliebte” op. 98
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