{"id":9898,"date":"2025-08-27T23:18:14","date_gmt":"2025-08-27T21:18:14","guid":{"rendered":"https:\/\/haydneum.com\/programok\/bach-tuma-telemann-paris\/"},"modified":"2025-08-27T23:18:14","modified_gmt":"2025-08-27T21:18:14","slug":"bach-tuma-telemann-paris","status":"publish","type":"tribe_events","link":"https:\/\/haydneum.com\/en\/events\/bach-tuma-telemann-paris\/","title":{"rendered":"Bach, Tuma, Telemann &#8211; Paris"},"content":{"rendered":"<p>Franti\u0161ek Ignac T\u016eMA (1704-1774):<br \/>\nf-moll Miserere, AMC, T. 8.<br \/>\nJohann Sebastian BACH (1685-1750):<br \/>\nSelig ist der Mann \u2013 cantata, BWV 57<br \/>\nGeorg Philipp TELEMANN (1681-1767):<br \/>\nWer nur den lieben Gott l\u00e4sst walten \u2013 cantata, TWV 1:1593<br \/>\n&#8212;<br \/>\nJohann Sebastian BACH:<br \/>\nIch hab in Gottes Herz und Sinn \u2013 cantata, BWV 92<br \/>\nGeorg Philipp TELEMANN:<br \/>\nJesus Christus unser Heiland \u2013 cantata, TWV 1:976<\/p>\n<p>&nbsp;<\/p>\n<p>Franti\u0161ek Ign\u00e1c T\u016fma was born in Kostelec, Bohemia, in 1704, and spent much of his life in Vienna, where he served as director of music at the court of Emperor Charles VI, remaining in service until the death of the emperor\u2019s widow in 1750. As a composer and theorbo player he continued to enjoy the esteem of both the court and the nobility. In his later years he retired to the Premonstratensian monastery of Geras, and he died in a Vienna hospital in 1774. His vast oeuvre, written in the late Baroque style, is still little known today. Alongside his sacred vocal works, he also made significant contributions to instrumental chamber music. One of the rare surviving manuscript sources of his <em>Miserere in F minor <\/em>comes from the collection of the Diocese of Gy\u0151r. This uniquely poetic work holds a worthy place in the programme alongside Bach and Telemann.<\/p>\n<p>Almost exactly 300 years ago, in 1725, Bach composed his Christmas cantata <em>Selig ist der Mann<\/em> in Leipzig. Its text\u2014fitting to the festive liturgy and also linked to the martyrdom of St Stephen\u2014was compiled by Georg Christian Lehms. The scoring calls for bass and soprano soloists, two oboes, two violins, viola, and basso continuo, with the four-part choir appearing only in the closing chorale. Georg Neumark\u2019s hymn <em>Wer nur den lieben Gott l\u00e4sst walten<\/em>, dating from around 1641, was set to music by several composers. Telemann\u2019s version, composed in 1713\u201314 in the French style, is particularly festive and intimate.<\/p>\n<p>After the interval comes another Bach cantata, <em>Ich hab in Gottes Herz und Sinn<\/em>, first performed on 28 January 1725. Its text is based on Paul Gerhardt\u2019s 1647 hymn. With nine movements, it is one of Bach\u2019s most extensive cantatas, scored for four soloists, four-part choir, two oboi d\u2019amore, two violins, viola, and basso continuo.<\/p>\n<p>The programme concludes with Telemann\u2019s cantata in B minor, <em>Jesus Christus unser Heiland<\/em>, composed in 1713\u201314 and first performed on 23 April 1715. Its text is Martin Luther\u2019s ten-stanza hymn, which is connected to the celebration of the Eucharist.<\/p>\n<p>&nbsp;<\/p>\n<p>Organiser: La Seine Muiscale, Paris<br \/>\nCo-operation partner: Haydneum<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Franti\u0161ek Ignac T\u016eMA (1704-1774): f-moll Miserere, AMC, T. 8. Johann Sebastian BACH (1685-1750): Selig ist der Mann \u2013 cantata, BWV 57 Georg Philipp TELEMANN (1681-1767): Wer nur den lieben Gott [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":11078,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"tags":[117],"tribe_events_cat":[118],"class_list":["post-9898","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tag-cooperation","tribe_events_cat-others","cat_others"],"acf":[],"ticketed":false,"_links":{"self":[{"href":"https:\/\/haydneum.com\/en\/wp-json\/wp\/v2\/tribe_events\/9898","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/haydneum.com\/en\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/haydneum.com\/en\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/haydneum.com\/en\/wp-json\/wp\/v2\/users\/5"}],"version-history":[{"count":0,"href":"https:\/\/haydneum.com\/en\/wp-json\/wp\/v2\/tribe_events\/9898\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/haydneum.com\/en\/wp-json\/wp\/v2\/media\/11078"}],"wp:attachment":[{"href":"https:\/\/haydneum.com\/en\/wp-json\/wp\/v2\/media?parent=9898"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/haydneum.com\/en\/wp-json\/wp\/v2\/tags?post=9898"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/haydneum.com\/en\/wp-json\/wp\/v2\/tribe_events_cat?post=9898"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}