Georg Philipp TELEMANN (1681-1767):
\nSonata in C major, TWV 41:C5
\nFantasia No. 7 \u2018a la francese\u2019, TWV 40:8
\nFran\u00e7ois COUPERIN (1668-1733):
\nQuatri\u00e8me Concert Royal
\nJean-Philippe RAMEAU (1683-1764):
\n\u2018Le Rappel des Oiseaux\u2019 from Suite in E minor, RCT 2
\nJoseph-Bodin de BOISMORTIER (1689-1755): Sonata in E minor, Op. 90 No. 3
\n\u2014
\nUnico Wilhelm van WASSENAER (1692-1766):
\nSonata terza in G minor
\nJacob van EYCK (c. 1590-1657):
\n\u2018Boffons\u2019, from \u2018Der Fluyten Lust-Hof\u2019
\nDario CASTELLO (1602-1631): Sonata seconda
\nJohann Sebastian BACH (1685-1750):
\nConcerto in D minor \u2013 Andante, BWV 974 (for solo harpsichord after Alessandro Marcello\u2019s Concerto for oboe in D minor)
\nJohann Sebastian BACH:
\nSonata in E minor, BWV 1034<\/p>\n
Dignified, lyrical, and vibrant characters, lively and refined embellishments, aristocratic dances that seem to transform the patterns of flower beds in parks and the interior decorations of castles into movement, allegorical scenes, imaginative play with mimesis, whimsical emotionality \u2013 baroque secular music shaped the surrounding world of the discerning audience into art through such formulas, into sonatas, concertos, and suites.<\/p>\n
\tComposers of this era eagerly put everything into string-like, multi-movement forms, which, with their varied tempos and colours, represented the ordered diversity of phenomena. The sonatas and concertos formulated in a dialogic manner were essentially mirrors of each other: the only difference was that the latter made the shared structure of the two genres dialogical with solo passages. In addition, dances often appeared in both, which were arranged into independent series sometimes called suites, sometimes partitas, and at other times simply ordres (orders) or, somewhat unusually, concerts. The energetic and sophisticated elegance of dance, the expressive power of movement, is deeply rooted in French taste. However, it became a particularly popular form of Baroque artistic representation thanks to Louis XIV, who was an excellent dancer in his youth and enjoyed performing on stage in various allegorical scenes. On one occasion, for example, he appeared in the costume of Apollo to dance himself as the source of light flooding his kingdom.<\/p>\n","protected":false},"excerpt":{"rendered":"
Georg Philipp TELEMANN (1681-1767): Sonata in C major, TWV 41:C5 Fantasia No. 7 \u2018a la francese\u2019, TWV 40:8 Fran\u00e7ois COUPERIN (1668-1733): Quatri\u00e8me Concert Royal Jean-Philippe RAMEAU (1683-1764): \u2018Le Rappel des […]<\/p>\n","protected":false},"author":1,"featured_media":4962,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"tags":[],"tribe_events_cat":[103],"class_list":["post-9882","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tribe_events_cat-haydneum-autumn-festival","cat_haydneum-autumn-festival"],"acf":[],"ticketed":false,"_links":{"self":[{"href":"https:\/\/haydneum.com\/en\/wp-json\/wp\/v2\/tribe_events\/9882","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/haydneum.com\/en\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/haydneum.com\/en\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/haydneum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":1,"href":"https:\/\/haydneum.com\/en\/wp-json\/wp\/v2\/tribe_events\/9882\/revisions"}],"predecessor-version":[{"id":10628,"href":"https:\/\/haydneum.com\/en\/wp-json\/wp\/v2\/tribe_events\/9882\/revisions\/10628"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/haydneum.com\/en\/wp-json\/wp\/v2\/media\/4962"}],"wp:attachment":[{"href":"https:\/\/haydneum.com\/en\/wp-json\/wp\/v2\/media?parent=9882"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/haydneum.com\/en\/wp-json\/wp\/v2\/tags?post=9882"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/haydneum.com\/en\/wp-json\/wp\/v2\/tribe_events_cat?post=9882"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}