Pietro Andrea ZIANI (1616-1684):
\nSonata in G minor, Op. 7 No. 11
\nDieterich BUXTEHUDE (1637-1707):
\nSonata in C major, BuxWV 266
\nHeinrich Ignaz Franz von BIBER (1644-1704):
\nSonata representativa, IHB 19
\nGeorg MUFFAT (1653-1704):
\nArmonico Tributo \u2013 Sonata No. 2 in G minor
\nDieterich BUXTEHUDE:
\nSonata in G major, BuxWV 271
\nGeorg MUFFAT:
\nViolin Sonata in D major
\nHeinrich Ignaz Franz von BIBER:
\nFidicinium sacro-profanum \u2013 Sonata No. 6 in A minor
\nJohann Wilhelm FURCHHEIM (c. 1635-1682):
\nSonata in E-flat major, IJF 2<\/p>\n
Concert without break<\/em><\/p>\n <\/p>\n \u201c<\/strong>The term is <\/strong>commonly<\/strong> used to <\/strong>designate<\/strong> multi-movement <\/strong>musical works <\/strong>that are almost <\/strong>exclusively<\/strong> intended to be performed by soloists or small ensembles<\/strong>,\u201d writes one of the most prestigious music encyclopediae, the Grove Dictionary of Music and Musicians, about the sonata.<\/strong> At first glance, <\/strong>it may<\/strong> not seem <\/strong>like a<\/strong> promising<\/strong> definition<\/strong>, but it is accurate<\/strong>,<\/strong> especially when it comes to 17th-century pieces, <\/strong>like those on <\/strong>this concert programm<\/strong>e<\/strong>.<\/strong><\/p>\n \u00a0<\/strong><\/p>\n The term “sonata” was initially one of many words used to describe instrumental works in the early 1600s. Unlike toccata, ricercar, or sinfonia, it did not mean anything other than a piece played on an instrument, and in this way, it solely served to distinguish it from sung works (cantata). The early sonatas were characterized by a special structure: although they consisted of a single movement, they were built up from numerous short, varied character details. Soloistic sections could alternate with tuttis, even meter with uneven, forte with piano, as desired. Over time, these sections became longer and more independent, creating the structure of four (or more) movements in baroque sonatas. Composers also enjoyed playing with the genre, embellishing the musical process with mood setting, sound imitating, and representational motifs. The century’s famous violin virtuoso, Biber from Salzburg, was particularly renowned for such ideas.<\/p>\n","protected":false},"excerpt":{"rendered":" Pietro Andrea ZIANI (1616-1684): Sonata in G minor, Op. 7 No. 11 Dieterich BUXTEHUDE (1637-1707): Sonata in C major, BuxWV 266 Heinrich Ignaz Franz von BIBER (1644-1704): Sonata representativa, IHB […]<\/p>\n","protected":false},"author":1,"featured_media":4937,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"tags":[],"tribe_events_cat":[103],"class_list":["post-9881","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tribe_events_cat-haydneum-autumn-festival","cat_haydneum-autumn-festival"],"acf":[],"ticketed":false,"_links":{"self":[{"href":"https:\/\/haydneum.com\/en\/wp-json\/wp\/v2\/tribe_events\/9881","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/haydneum.com\/en\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/haydneum.com\/en\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/haydneum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":3,"href":"https:\/\/haydneum.com\/en\/wp-json\/wp\/v2\/tribe_events\/9881\/revisions"}],"predecessor-version":[{"id":10763,"href":"https:\/\/haydneum.com\/en\/wp-json\/wp\/v2\/tribe_events\/9881\/revisions\/10763"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/haydneum.com\/en\/wp-json\/wp\/v2\/media\/4937"}],"wp:attachment":[{"href":"https:\/\/haydneum.com\/en\/wp-json\/wp\/v2\/media?parent=9881"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/haydneum.com\/en\/wp-json\/wp\/v2\/tags?post=9881"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/haydneum.com\/en\/wp-json\/wp\/v2\/tribe_events_cat?post=9881"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}