{"id":9879,"date":"2025-08-14T20:37:22","date_gmt":"2025-08-14T18:37:22","guid":{"rendered":"https:\/\/haydneum.com\/programok\/3rd-haydneum-eszterhaza-festival-il-suonar-parlante\/"},"modified":"2025-08-14T20:37:22","modified_gmt":"2025-08-14T18:37:22","slug":"3rd-haydneum-eszterhaza-festival-il-suonar-parlante","status":"publish","type":"tribe_events","link":"https:\/\/haydneum.com\/en\/events\/3rd-haydneum-eszterhaza-festival-il-suonar-parlante\/","title":{"rendered":"3rd Haydneum Eszterh\u00e1za Festival \/ Il Suonar Parlante"},"content":{"rendered":"<p>Joseph HAYDN (1732\u20131809):<br \/>\nDivertimento a 8 in G major, Hob. X:12<br \/>\nJohann Gottlieb GRAUN (1703\u20131771):<br \/>\nConcerto for viola da gamba and strings in D minor<br \/>\n\u2014<br \/>\nHAYDN:<br \/>\nDivertimento a 8 in A major, Hob. X:3 <\/p>\n<p>Eight pieces from the CD Gypsy Baroque<br \/>\nGeorg Philipp TELEMANN (1681\u20131767):<\/p>\n<p>Ouverture burlesque \u201eScaramouche\u201d, TWV 55:B8 No. 2 (Vittorio Ghielmi arrangement)<br \/>\n\u2019Czigany Tanz\u2019 from the the 18th century manuscript in Sepsiszentgy\u00f6rgy (arr. V. Ghielmi)<br \/>\n\u2019Magyar Tanz\u2019 from the the 18th century manuscript in Sepsiszentgy\u00f6rgy (arr. V. Ghielmi, Stanislav Pal\u00fach)<br \/>\n\u2019Sol paii pe luludori\u2019 Traditional song of the L\u00f3vari (arr. Graciela Gibelli, S. Pal\u00fach)<br \/>\n\u2019Saltus Pollonicus\u2019 and \u2019Hungaricus\u2019 Collection of Uhrovec 1730 (arr. V. Ghielmi, S. Pal\u00fach)<br \/>\n\u2019C\u00e2ntec de leagan\u2019 Traditional Moldovian lullaby (arr. G. Gibelli, Marcel Comendant)<br \/>\nJohann Philipp KIRNBERGER (1721\u20131783):<br \/>\nMasura (mazurka) (arr. V. Ghielmi, S. Pal\u00fach)<br \/>\n\u2019Trana nanna\u2019 Traditional song of the L\u00f3vari (arr. S. Pal\u00fach)<\/p>\n<p>&nbsp;<\/p>\n<p>The term divertimento means an entertaining piece. As many other definitions used in 17th- and 18th-century musical practice, this one is also witty and windy at the same time: it cannot be interpreted as it communicates nothing about the work\u2019s arrangement, format, or structure, yet it is also accurate as it clearly specifies its character and function. Divertimentos were pieces intended for entertainment; the name applies to typically multi-movement music that often resembles dances and is generally written for chamber ensembles with a clear formulation and light-hearted tone.<\/p>\n<p>Of course, as always, there is a lot of overlap in this case, too. Serenades and partitas, even sonatas and symphonies, were labelled as divertimentos at that time, when society\u2019s need for transcendent experiences had not yet seeped into the sophisticated enjoyment of musical recreation as it did later in the Romantic period. Haydn\u2019s dozens of chamber music pieces are great examples for this, which were originally composed by the master for baryton (the somewhat unfashionable favourite of Nikolaus I, Prince Esterh\u00e1zy, similar to a viola da gamba), strings and a few wind instruments, and were published by the Viennese Artaria as divertimentos but a few of them were released in London as symphonies. Pieces No. 3 and 12 of the series are accompanied by a concerto by Johann Gottlieb Graun, a famous violin virtuoso and the former concertmaster of the Berlin Opera, together with a few works that present exotic objects of fascination for 18th-century Central Europe, the Romani musical culture that was thriving in the Ottoman\u2013Habsburg border region, interpreted through learned contemporary instrumental language.<\/p>\n<p>Co-operating partner: Eszterh\u00e1za K\u00f6zhaszn\u00fa Nonprofit Kft.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Joseph HAYDN (1732\u20131809): Divertimento a 8 in G major, Hob. X:12 Johann Gottlieb GRAUN (1703\u20131771): Concerto for viola da gamba and strings in D minor \u2014 HAYDN: Divertimento a 8 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4990,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"tags":[],"tribe_events_cat":[102],"class_list":["post-9879","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tribe_events_cat-haydneum-eszterhaza-festival","cat_haydneum-eszterhaza-festival"],"acf":[],"ticketed":false,"_links":{"self":[{"href":"https:\/\/haydneum.com\/en\/wp-json\/wp\/v2\/tribe_events\/9879","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/haydneum.com\/en\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/haydneum.com\/en\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/haydneum.com\/en\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":0,"href":"https:\/\/haydneum.com\/en\/wp-json\/wp\/v2\/tribe_events\/9879\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/haydneum.com\/en\/wp-json\/wp\/v2\/media\/4990"}],"wp:attachment":[{"href":"https:\/\/haydneum.com\/en\/wp-json\/wp\/v2\/media?parent=9879"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/haydneum.com\/en\/wp-json\/wp\/v2\/tags?post=9879"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/haydneum.com\/en\/wp-json\/wp\/v2\/tribe_events_cat?post=9879"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}